BANDA SONORA DE FONDO: ALGUMAS AUDIÇÕES ARGENTINAS

Abstract

Through some listening scenes, the article considers the circulation of Brazilian works in Argentina in the last two decades, taking as axis the Chair of Brazilian and Portuguese Literature (UBA), ruled by Gonzalo Aguilar and Florencia Garramuño, and their respective contacts with Brazilian literature through the Campos brothers and Silviano Santiago. Retracing this route through translations of brazilian texts developed around the Chair, texts that include surrounding soundtracks, from popular archives or avant-garde experiments, we intend to rehearse scenes that, starting from there, make their own tracks addressed to the future, listening to the echoes of dictatorships in a democratic scenario.